Paulo sergio

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O GUARANI
          
ff

Andante Grandioso, marcato q = 88

           

 3 3                                                              3 3 3 3   
Tutti

(Overture)

Aut: A. Carlos Gomes Arr: Herbert L. Clarke

              

      

1st & 2nd Cors

fff (W.W.)

      ff 2nd & 3rd Tr'b.              Bass Cymb.         
7

Trumpets, Horns, 1st Tr'b., Bar.

3rd Cl., Alto Cl., 1st Bass'n

     fff     

  
p

p



     

Tr'bs, Bar.

Bass 2nd Bass'n

B.D.

Cymb.

B.D.



 



    

        
ppdim. pp 1st Cl., Solo Cor.

      
Fl., Ob.

 

  

       

dim.



    



  

Solo Cl.                       dolce Bassoon  p  Cl., Saxs             

Andante espressivo q = 76

          



 





  

p

III-IV Horns Bass

     
14

add Ob., Eb Cl., 1st Cl., Sop. Sax.

   

      

        

 


Un poco piú animato q = 104

 

  

              





  



        Alto Sax. p p  2nd Cl., Ten. Sax           III-IV Horns., Bass Cl.    Bass
2nd Cl Horn

       
(2nd Cl.)21

pp poco rit.

  

  



Horns pp poco rit.

      Sax., 3rd Cl., Bassoon                       
Bass Cl.

Tempo I q = 88 1              

                                  
Cymb.



 

ff Tutti



        & 3rd Tr'b. ff 2nd              
Bass B.D. Cymb.

B.D.

M. B. - Btl. Nav. - Cia de Bandas - Arquivo Musical - Setor de Digitalização E-180 - 02/2000 - SG-Darlan





B.D.

              
Cymb.

  

2

  3  3  3   3     3   3          3                                              ff Tutti  pp (as before) pp Solo Cor., Ob. ff  p string. cresc. sf    3 2nd & 3rd-Alto,-Bass Cls                                                                     pp 3  3   3 3 3 3 3 3
26

Piu mosso q = 132 to 144
Fl., 1st Cl.

O GUARANI

    

pp Horns

3



ff

3

3   30             
ff

    

3



ff

    

p string. cresc.



    
3

sf

3  3 3 3                                        sf  Trbs 3                       3 3 sf 3  3                   3

Timp. roll

Meno mosso q = 88



                   3  Bar. Ten.Sax. pp  ff       Bass, Bass'n                 3 Bass, Bass'n
Cls



     

       
dim.

     
ppp



    



         

G.P.

 

  

G.P.

     

      

 

 

    Solo & 1st Cl., Sax's   
36Andante espressivo q = 76
3

    
39

     

pp Bass Cl., Bar. 8vª 2nd & 3rd Cls 1st & H'ns sust

pp Bass

3 3 3                                       3    3   3    3                                     2nd Horn                         ...
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